Opening night toast with cast and crew |
Charlie
and I attended Geva Theatre's opening night of Vanya and Sonia and Masha and
Spike, by playwright Christopher
Durang, and were thoroughly entertained. In a
pre-performance chat, Artistic Director Mark Cuddy let us in on some
extra drama over the past week. Although you wouldn't guess it from
his performance, John Scherer, the actor playing Vanya, had had an
emergency appendectomy here in Rochester less than a week ago.
Luckily, this has been the most performed play in regional theaters
this year, with 27 productions, so Geva kicked into high gear and,
through social media, found an actor who had just completed a run on
Arena Stage! He quickly learned the new blocking, and was still on
hand opening night just in case the recovered Scherer wasn't up to
the task (which he was).
No, that's not Charlie! |
You
don't need to know, remember, or have seen any Checkhov to appreciate
Durang's parody, because he drops constant not-so-subtle hints at the
four plays he references: Three Sisters, The Cherry
Orchard, The Seagull, and of course, Uncle Vanya.
And you can picture Sigourney Weaver in the role of Masha
(wonderfully portrayed here by Margaret Reed), a part Durang wrote
for her (perhaps to make up for the part she played in his dreadful
Sex and Longing?). Everyone
in the cast was great, and because this was a co-production with the
Cleveland Playhouse (which got the production first), they were
extremely confident in their roles.
The
sets are beautiful and finely detailed – we've come to expect
nothing less from Geva. I thought the final Durang harangue, I mean
monologue, went on a bit too long, but other than that, the show was
funny, fast-paced, and unlike attending a Checkhov play, I didn't
leave regretting those 2½ hours I couldn't get back... The high
point, for me, was the hysterical Danielle Lea Greaves, as Cassandra.
I am looking forward to seeing the show again at the end of the month
with my friend Jan.
So you saw Eric Hissom, right? I saw the Arena production, which I really enjoyed. And there's nothing Hissom could have taken from the Arena blocking, because the Arena production was in the round. And Cassandra is one of those scenery-chewing roles that steals every scene she's in. (The Arena Cassandra had long, shoulder-length cornrows with beads that went flying all over the place.)
ReplyDelete