![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuGRN-7durlhj24kEKFCsKwOmIDnn59bkXsGE1Y_AjlAb6SpmLOR-B4CTbwqj9PkZ30jzZjQNJ-Jl9OzONqUz4S8gaEgZRixvD7oXpWOd07pl0LImvzJ2p7rizRUO-oD3_q9uS1Coy46Q9/s1600/Screen+shot+2014-09-21+at+4.57.10+PM.png)
Ms. Strelau introduced the piece and the outstanding soloists
(Corinne Stillwell, violin; Mimi Hwang, cello; Elinor Freer, piano), and
explained that the piece is seldom performed because of its level of difficulty
– “the cello part is brutal.” She remarked that the orchestra was there to
support the wonderful soloists, and that the performance was “the orchestra’s
gift to them.” It was a wonderfully played gift, and the soloists didn’t
disappoint in their acceptance – they all seemed to be enjoying the piece,
especially the pianist, and they all made their performances appear effortless.
I could have listened to them all afternoon, except for the exceedingly
uncomfortable pews (why must the venues with the best acoustics also be the
ones deliberately designed to make the audience uncomfortable?).
I chatted briefly with Chelsea at the conclusion, and shared
my amazement that this excellent music was offered to us free of charge. She
said the group occasionally does perform for donations – not for themselves,
but to benefit other causes (for example, Alternatives for Battered Women). I
wish I could get on their distribution list for future concerts, but I’m not
sure they even have one!
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