(Informed Consent,
directed by Sean Daniels, runs from March 18 to April 13)
rehearsal space, with taped and table 'levels' |
“Great! But I
don’t think we can charge money for it yet,” Sean quipped at one point. Obviously, since it’s only the second
week of rehearsal, and the show doesn’t open until March 22. But the progress they’ve already made
in that short time is considerable – the actors are already deep into their
characters, and you can really feel the power of this very complex play, and
get a sense of the emotional impact it will have when they finally do have an
actual (paying) audience.
model of the set |
The different levels in the play are mirrored by the levels
of the set, which also evokes the Grand Canyon, which is one of the play’s settings. Since this is not a traditional set,
with rooms and furniture, motivation for moving or sitting has to be found in
the dialogue (for example, at one point, Sean asked a seated actor to stand, to
give the scene more energy, but to sit an another point to communicate more
intimacy). And since the actors
will need various props to indicate the different characters they portray,
great attention is being paid to where those props are stored and how they are
retrieved and returned, by whom and when.
Very complicated!
I attended parts of two different rehearsals this week. The actors are in the process of
memorizing their lines and their blocking. At the same time, they are working to breathe life into
their characters, for example, by:
- discussing “clockwise” vs. “counterclockwise” tribal
dances (apparently the Havasupai are a “clockwise” tribe), and the implication
for stage movement,
- exploring different accents (and sometimes translations)
to associate with different “stories,”
- determining who they are, when they are just sitting and
watching other actors in a scene,
- using Sean’s insightful and often humorous direction to
help them understand their subtexts.
The upcoming premiere of Informed Consent is extremely timely. Just this week, the New York Times ran an article and op-ed
about the FDA’s current deliberation of “genetically modified babies” –
embryonic mitochondrial manipulation, which would give a child genetic material
from three parents, rather than two, and eliminate inheritable mitochondrial
disease. I would have loved to
talk to Sean and the cast about that over the drinks that he kindly invited all
9 of us cohorts attending Thursday's rehearsal to, but luckily for them, I had dinner waiting for me at home.
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