Tickets on-line were only $7, so I attended the Saturday
matinee, knowing I could always leave at intermission. This was my first time
in this space on Atlantic Avenue, and I loved the creative re-use of a church,
although it was a bit disorienting, since the seating had been flipped 90
degrees. MuCCC accommodates around 80 people in a mix of real seats and two
pews in four rows. There were only about two dozen in the audience (and many of
them seemed to know each other), so I had a prime seat in the middle of the
back row.
I was astounded at the quality of the production. The director
made very efficient use of the small stage and floor surrounding it, as well as
the balcony. Most of the accents were very good, especially those of the three
main characters, who were all excellent in their roles, including Katharine.
And she hadn’t led me astray – the play itself was very moving. Even though you
know from the start how events will unfold, the final scene is shocking and
disturbing. And you can’t help but think of all of the recent police shootings
of innocent people in our own country. And the fact that most of these murderers faced no
consequences.
Sadly, there’s only one more chance to see this
production – Sunday at 7:30. DVC is a curious little company, founded by a
cohort of Wilson Magnet High School students, if I understood the introduction
correctly. Many of the actors seemed to be alumni, and one is even a current
student. I have a feeling that I’m going to try to see their next presentation –
American Skin – a series of
monologues (apparently some of the writers were in the audience) – during Fringe
Festival…